Alien movie effects1/30/2024 But workwise, I don’t think we really felt the sting.” We didn’t have the social aspect of getting together for lunch or a beer at the end of the week. With everyone submitting through ftrack, we still had eyes on everything,” adds Geddes. We would jump on a Google Meet and fire up ftrack and review our shots. “Everyone can just log in to a URL, and we can all see the shots. However, the continued use of ftrack project management software, which enables remote reviews, solved that. We weren’t sure how that was going to go because we couldn’t get everyone in the room,” notes Geddes. “The only concern we had was running dailies. With a few exceptions, the staff had “reasonable” home workstations and bandwidth that could handle streaming. When production started up again, so, too, did Artifex’s staff, continuing with the remote workflow they had established months prior. But eventually, the group fell into a rhythm.Īlthough the VFX artists were able to continue working on those first few episodes, production - and, subsequently, post production - on the series shut down as the lockdown orders continued from March 2020 onward. The crew just had to approach things in a different way at times. The processes and so forth didn’t really change, says Stern. The biggest difference was the lack of a physical staff presence in the studio. So, very little had to be implemented at the start.” “So we spun up and tested it that day and knew it would work, and we sent out an email saying, ‘We’re going to try this for now and see how it goes,’” Geddes recalls.Īdds Stern, “We wanted the fastest method possible, which at the time meant using Remote Desktop clients to access our already-running infrastructure. Geddes and Stern, like most, expected the situation to last just a few weeks. The senior staff also set up an FTP server for clients that they managed remotely. This would enable the VFX crew to access the tools they needed, including Autodesk’s Maya, Chaos’ V-ray, Andersson Technologies’ SythEyes, Foundry’s Nuke and open-source Meshroom photogrammetry software. The pair, along with some senior staffers, headed into the office to set things up so the artists there could continue working on the series from home by remoting into their own workstations at the studio using a VNC freeware client. “We were up and running within the day,” says Stern. So Geddes, along with Artifex founder Adam Stern, acted fast, implementing an immediate move to a remote workflow. “Everything was proceeding as normal, and then very quickly, we got word that shooting was likely going to halt and BC shut down.” Artists immediately began reaching out asking what effect this would have on them and the studio. In fact, Artifex Studios - based in Vancouver, BC, and provider of VFX services for North American and international clients - was in the midst of creating effects for the SyFy Channel comedy Resident Alien when forced into a remote workflow scenario.Īccording to Rob Geddes, Artifex VFX supervisor, the show was filming, and Artifex was working on VFX for the first two episodes. That has been a recurring theme for most people and businesses everywhere, and the visual effects industry is no different. … and then COVID hit and changed everything.
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